![]() November, 1978 brought the band's eighth studio album, and first for EMI, "Sanctuary", which did well enough to chart at #49 on the Billboard 200. Atlantic Records dropped them after almost eight years with the label. chart, rising to #40.Įven though they had a built a loyal and sizeable fan base, their album, "Monkee Island", released on Jwas a commercial failure and did not contain a hit single. A second live LP, "Blow Your Face Out" was a combination of tracks recorded on Novemat Boston Garden, and Novemat Cobo Hall in Detroit. In support of the album, the band toured across America, supporting such acts as The Rolling Stones, Peter Frampton and Rod Stewart. and Other Tales from the Vinyl Jungle", which returned the band to prominence when it climbed to #26 on the Hot 200 and contained the #12 single, "Must Have Got Lost" in early 1975. Next out of the chute was the album "Nightmares. Geils Band quickly issued "Ladies Invited" in November, '73, and although it debuted at #51, it couldn't match the sales of "Blood Shot", nor did it produce a hit single. Hurrying back into the recording studios, The J. This custom of using colored records would continue throughout the band's tenure with Atlantic. The album was also unique because it was stamped out in red vinyl instead of the usual black. Shooting to the number 10 position on the Billboard chart, the LP spawned the single "Give It To Me", which rose to #30 in mid-1973. Their third studio album, "Bloodshot", would prove to be pivotal in the band's career. On the strength of a heavy touring schedule and the dynamic stage presence of vocalist Peter Wolf, the band soon built a large following, not only in their hometown of Boston, but also in the Detroit area. The tracks "Looking for a Love" and "Serves You Right to Suffer" enjoyed considerable radio airplay. ![]() Their first live album, "Live Full House" was released in September, 1972 and peaked at #54 on the Billboard 200 album chart in the United States. Although a second single, "Cry One More Time" did not fare as well, the album itself made it to #64. A follow-up album, issued in October, 1971, was called "The Morning After", and produced the band's breakthrough hit, "Looking For A Love", which peaked at #39 on the Hot 100 in the Spring of 1972. The LP climbed as high as #195 on Billboard's Hot 200 chart, and a single from it, a cover of The Contours' 1965 tune, "First I Look At The Purse", managed to get some airplay. The group recorded their self-titled, debut album in August, 1970 at A&R Studios in New York City, and released it on November 16th. ![]() King, Johnny Winter, The Allman Brothers and The Byrds. Geils Band in 1970, they began opening for national acts like B.B. That same year keyboard player Seth Justman came onboard and the group quickly built a sizable following in the Boston area. By 1968 they had switched their style to heavier Rock by adding drummer Stephen Bladd and vocalist Peter Wolf (born Peter Blankenfeld) and changing their name to The J. Guitarist John Geils formed an acoustic Blues trio called Snoopy And The Sopwith Camels with bassist Danny Klein and harmonica player Richard Salwitz (a.k.a.
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